Rossini?s effervescent comedy retakes the stage in Bartlett Sher?s madcap production. Two star mezzo-sopranos, Isabel Leonard and Aigul Akhmetshina, headline a winning ensemble as the feisty heroine, Rosina, alongside high-flying tenors Lawrence Brownlee and Jack Swanson, in his Met debut, as her secret beloved, Count Almaviva. Baritones Davide Luciano and Andrey Zhilikhovsky star as Figaro, the infamous barber of Seville, with baritone Nicola Alaimo and bass-baritone Peter Kálmán as Dr. Bartolo and bass Alexander Vinogradov as Don Basilio rounding out the principal cast. Giacomo Sagripanti conducts.

Music Director Yannick Nézet-Séguin conducts his first Met performances of Strauss?s white-hot one-act tragedy, which receives its first new production at the company in 20 years. Claus Guth, one of Europe?s leading opera directors, gives the biblical story, already filtered through the beautiful and strange imagination of Oscar Wilde?s play, a psychologically perceptive Victorian-era setting rich in symbolism and subtle shades of darkness and light. Headlining the new staging is soprano Elza van den Heever as the abused and unhinged antiheroine, who demands the head of Jochanaan, sung by celebrated baritone Peter Mattei. Tenor Gerhard Siegel is Salome's lecherous stepfather, King Herod, with mezzo-soprano Michelle DeYoung as his wife, Herodias, and tenor Piotr Buszewski as Narraboth. Derrick Inouye conducts two performances in May.

Conductor Joana Mallwitz makes her Met debut leading two extraordinary casts in Mozart?s comic masterpiece. Bass-baritones Michael Sumuel and Luca Pisaroni star as the clever valet Figaro, opposite sopranos Olga Kulchynska and Rosa Feola as his betrothed, the wily maid Susanna. Baritone Joshua Hopkins and bass-baritone Adam Plachetka alternate as the skirt-chasing Count, sopranos Federica Lombardi and Jacquelyn Stucker (in her Met debut) trade off as his anguished wife, and mezzo-sopranos Marianne Crebassa and Emily D'Angelo share the role of the adolescent page Cherubino.

Following a string of awe-inspiring Met performances, soprano Lise Davidsen stars as Leonore, who risks everything to save her husband from the clutches of tyranny. Tenor David Butt Philip is the political prisoner Florestan, sharing the stage with bass-baritone Tomasz Konieczny as the villainous Don Pizarro, veteran bass René Pape as the jailer Rocco, and soprano Ying Fang and tenor Magnus Dietrich, in his company debut, as the young Marzelline and Jaquino. Bass Stephen Milling sings the principled Don Fernando, and Susanna Mälkki conducts the Met's striking production, which finds modern-day parallels in Beethoven's stirring paean to freedom.

A disposable worker is assigned to a human expedition on the icy planet Niflheim. Each time he dies, a new version of himself is regenerated, retaining most of his memories from the previous life.

With the world on the verge of destruction, Dietrich Bonhoeffer becomes part of a perilous plot to assassinate Hitler, putting his faith and destiny on the line to save millions of Jews from genocide.

Attack on Titan: THE LAST ATTACK unites the final two episodes of the acclaimed anime series in its first-ever theatrical release, presenting the epic conclusion in a grand, cinematic experience.

Attack on Titan: THE LAST ATTACK unites the final two episodes of the acclaimed anime series in its first-ever theatrical release, presenting the epic conclusion in a grand, cinematic experience.